Programa

Narración

El giro narrativo. Cronología y trama. Autor, narrador. Personajes. Narratario, lector. Focalización. Autobiografía. Historia de vida. Análisis temático. Relato oral. Retórica e ironía. Narrativa maestra. Excepcional, verosímil, verificable.

Bibliografía

Arfuch, 2002; Bal, 1993; Barthes, 1977; Benjamin, 1968; Bruner, 1998; Fish, 1990; Klein, 2007; Kreiswirth, 2000; Labov, 2001; Lejeune, 1996; Pampillo et al. 2005; Riessman, 2002; White, 2006.

Performance

Performance teatral. Performance pictórica. Acto de habla. Juego de lenguaje. Modo de vida. Nombrar bautismal. La presentación de sí como performance. Parodia queer. Performatividad. Análisis performativo. La "salida del ropero".

Bibliografía

Austin, 1962 (selección); Bakhtin, 1994: 194-244, 245-252; Bamberg, 1997; Benjamin, 1969; Butler, 1990a, 1990b, 2002; Campbell, 2001; Davies y Harré, 1990; Del Barco, 2003; Egginton, 1996; Féral, 1997; Goffman, 1959: 17-76; Goffman , 1974; Kripke, 1980 (selección); Phelan, 1993: 146-166; Peterson y Langellier, 2006; Rudrum, 2005; Sayre, 1990; Wittgenstein, 1958 (selección).

Comunidad

Comunidad. Comunitarismo. Movimiento social. Víctima. Grupo de auto-ayuda. Monitoreo. Testimonio personal. Memoria. Emoción. Colectivos pos-identitarios. Disidencia. Singularidad. Ética del silencio.

Bibliografía

Alcoff y Gray, 1993; Agamben, 1996; Badiou, 2005; Espósito, 2003; Gorlier, 2008; Gubrium y Holstein, 1998; Lyotard, 1979; Nancy, 2000; Rancière, 2004; Rappaport, 1993; Sturken, 1998 * Ph. D. en Sociología (Universidad de Massachusetts); Maestría en Trabajo Social Clínico (Boston University); Licenciado en Filosofía (Universidad del Salvador - Buenos Aires). Autor y co-autor de tres libros y diversos artículos. Investigador en el Mauricio Gastón Institute (Universidad de Massachussets); Trabajador Social Clínico en el North Suffolk Counseling Services (Chelsea, Massachussets); Profesor Titular en la Maestría Virtual de la Universidad Nacional de Quilmes, Argentina.

Bibliografía básica

Los/as asistentes al seminario podrán disponer de algunos capítulos de ¿Confiar en el Relato? (Gorlier, 2008) y de una selección de fragmentos traducidos al castellano de textos fuentes.

Alcoff, Linda y Gray, Laura (1993). Survivor Discourse: Transgression or Recuperation? Signs, 18(2): 260-290.

Alexander, Jeffrey et al. (eds.)(2006). Social performance: Symbolic action, cultural pragmatics, and ritual. Cambridge: Cambridge University Press.

Agamben, Giorgio. (1996). La comunidad que viene. Valencia: Pre-textos.

Arfuch, Leonor (2002). Espacio biográfico. México, DF: Fondo de Cultura.

Austin, John (1962). How to do things with words. Cambridge: Harvard University Press.

Badiou, Alain (2005). El siglo. Buenos Aires: Manantial.

Badiou, Alain (2006). Logiques des mondes. L'être et l'évenément, 2. Paris: Seuil.

Bakhtin, Mikhail (1994). Languaje as dialogic interaction. En Pam Morris (ed.), The Bakhtin reader: Selected writings of Bakhtin, Medvedev, and Voloshinov. New York: E. Arnold: 48-243.

Bal, Mieke (1993). First person, second person, same person: narrative as epistemology, New Literary History, 24: 293-320.

Bamberg, Michael (1997). Positioning between structure and performance, Journal of Narrative and Life History, 7(1-4): 335-342.

Bamberg, M. (2006). Biographic-narrative research, quo vadis? A critical review of 'big stories' from the perspective of 'small stories'. In K. Milnes et al. (eds), Narrative, memory and knowledge: Representations, aesthetics and contexts. Huddersfield: University of Huddersfield Press.

Bamberg, M. (2007). Narrative analysis and identity research: A case for 'small stories' (manuscrito).

Barthes, Roland (1977). Introduction à l'analyse structurale des récits. En Roland Barthes et al. Poétique du récit. Paris: Éditions du Seuil: 7-57.

Bell, V. (1999). Performativity and belonging. An introduction, Theory, Culture and Society, 16(2):1-10.

Benjamin, Walter (1969). The work of art in the age of mechanical reproduction. En Illuminations. New York: Scholen Books: 217-250.

Blanchot, Maurice (1984). La communauté inavouable. Paris: Minuit.

Bochner, A. (2001). Narrative's virtues, Qualitative Inquiry, 7(2): 131-157.

Brabeck, K. (2003). Testimonio: a strategy for collective resistance, cultural survival and building solidarity, Feminism & Psychology, 13: 252 - 258.

Brecht, Bertold (1996). Short description of a new technique of acting which produces an alienation effect. En Michael Huxley y Noel Witts (eds.), The Twentieth century performance reader. New York: Routledge: 99-111.

Bruner, Jerome (1991). Self-making and world-making, Journal of Aesthetic Education, 25(1): 67-78.

Bruner, Jerome (1998). What is a narrative fact.? Annals of the American Academy of Political and Social Science, 560: 17-27.

Butler, Judith (1990a). Performative acts and gender constitution: an essay in phenomenology and feminist theory. En Sue-Ellen Case (ed.), Performing feminisms: feminist critical theory and theatre. Baltimore: Johns Hopkins University Press: 270-282.

Butler, Judith (1990b). Conclusion: From parody to politics. En Gender trouble: Feminism and the subversion of identity. London: Routledge: 142-49.

Butler, Judith (1993). Critically queer. En Bodies that matter: on the discursive limits of "sex". New York: Routledge: 223-242.

Butler, Judith (1993). Extracts from Gender as Performance: An interview with Judith Butler.
http://www.theory.org.uk/but-int1.htm

Butler, Judith (2002). Cuerpos que importan. Sobre los límites materiales y discursivos del "sexo". Buenos Aires: Paidós.

Campbell, J. y Harbor, J. (1999). Playing it again. Citation, reiteration or circularity? Theory, Culture and Society, 16(2): 229-239.

Campbell, Patrick (2001). Introduction. En Patrick Campbell and Adrian Kear (eds.), Psychoanalysis and performance. New York : Routledge, 2001: 1-17.

Carlson, Marvin (1996). Performance: A critical introduction. New York: Routledge.

El derecho a la memoria (2002). Crónica de un encuentro. Congreso de Salud Mental y Derechos Humanos. Universidad Popular de Madres de Plaza de Mayo.
http://practicasgrupales.com.ar/index.php?option=com_content&task=view&id=71

Davies, Bronwyn y Harré, Rom (1990). Positioning: the social construction of selves, Journal for the Theory of Social Behaviour, 20: 43-63.

Del Barco, Oscar (2003) Apuntes sobre el problema de la representación en el arte contemporáneo. En Exceso y donación. Buenos Aires: Biblioteca Heidegger: 143-179.

Deleuze, Gilles (19097). One less manifiesto. En Timothy Murray (ed.), Mimesis, masochism & mime: The politics of theatricality in contemporary French thought. Ann Arbor: University of Michigan Press: 239-258.

De Man, Paul (1979). Autobiography as de-facement, Modern Language Notes, 94; 919-930.*

Denzin, N. (2001). The reflexive interview and a performative social science, Qualitative Research, 1(1): 23-46.*

Egginton, William (1996). An epistemology of the stage: Theatricality and subjectivity in early modern Spain, New Literary History, 27(3): 391-413.

Esposito, Roberto (2003). Comunitas: origen y destino de la comunidad. Buenos Aires: Amorrortu.

Féral, Josette (1997). Performance and theatricality: The subject demystified. En Timothy Murray (ed.), Mimesis, masochism & mime: The politics of theatricality in contemporary French thought. Ann Arbor: University of Michigan Press: 289-300.

Fish, Stanley (1990). Rhetoric. En Frank Lentricchia y Thomas McLaughlin, Critical terms for literary study. Chicago: University of Chicago Press: 103-222.

Fonteneau, Françoise (2000). La ética del silencio. Wittgenstein y Lacan. Buenos Aires: Atuel.

Genette, Gérard (1988). Narrative discourse revisited. Ithaca, NY: Cornell University Press.

Genette, Gérard (1990). Fictional narrative, factual narrative, Poetics Today, 11: 753-774.

Goffman, Erving (1956). Performances. En The presentation of self in everyday life. Edinburgh: University of Edinburgh: 17-76.

Goffman, Erving (1974). The theatrical frame. En Frame analysis: an essay on the organization of experience. Cambridge: Harvard University Press, 1974: 124-155.

Gorlier, Juan (2004). Comunidades narrativas. El impacto de la praxis feminista sobre la teoría social. La Plata, Argentina: Ediciones Al Margen.

Gorlier, Juan (2005). Construcción social, identidad, narración. La Plata: Editorial Al Margen.

Gorlier, Juan (2008). ¿Confiar en el Relato? Narración, comunidad, disidencia. Mar del Plata: 5Editorial de la Universidad Nacional de Mar del Plata (en prensa).

Gubrium, Jaber y Holstein, James (1998). Narrative practice and the coherence of personal stories, The Sociological Quarterly, 39(1): 163-187.

Harré, Rom y Langenhove, Luk (eds.)(1999). Positioning theory: moral contexts of intentional action. Malden, MA: Blackwell.

Herman, Luc y Vervaeck, Bart (2005). Handbook of narrative analysis. Lincoln: University of Nebraska Press.

Kihlstrom, John (2003). Memory, autobiography, history.
http://socrates.berkeley.edu/~kihlstrm/rmpa00.htm

Klein, Irene (2007). La narración. Buenos Aires: Eudeba.

Kreiswirth, Martin (2000). Merely telling stories? Narrative and knowledge in the human sciences, Poetics Today, 21(2): 293-318.

Kripke, Saul (1980). Naming and necessity. Cambridge, MA: Harvard University Press.

Labov, William (2001). Ordinary events.
http://www.ling.upenn.edu/~wlabov/Papers/OE.pdf

Landa, José y Onega, Susana (1996). Narratology: An introduction. London: Longman.

Lejeune, Phillipe (1989). On autobiography. Minneapolis: The University of Minnesota Press.

Lejeune, Phillipe (1996). Témoignage, Clio, 4.
http://clio.revues.org/document438.html

Lloyd, M. (1999). Performativity, parody and politics, Theory, Culture and Society, 16(2): 195-213.*

Lyotard, Jean-François (1979). La condition postmoderne. Paris: Les Éditions de Minuit.

Lyotard, Jean-François (1979). Introduction to the Postmodern Condition: A Report on knowledge.

http://www.idehist.uu.se/distans/ilmh/pm/lyotard-introd.htm

http://en.wikipedia.org/wiki/Jean-Francois_Lyotard

Lyotard, Jean-François (1989). Lessons in paganism. En A. Benjamin (ed.), The Lyotard Reader. Cambridge, MA: Blackwell: 122-154.

Lyotard, Jean-François (1997). The unconscious as mise-en-scène. En Timothy Murray (ed.), Mimesis, masochism & mime: The politics of theatricality in contemporary French thought. Ann Arbor: University of Michigan Press: 163-174.

McDonald, Henry (1994). The narrative act: Wittgenstein and narratology, Surfaces, Revista Electrónica publicada por la Editorial de la Universidad de Montreal, 14.
http://www.pum.umontreal.ca/revues/surfaces/vol4/mcdonald.html

Feral, (1997). Performance and theatricality: The subject demystified. En Timothy Murray (ed.), Mimesis, masochism, & mime: the politics of theatricality in contemporary French thought. Ann Arbor: University of Michigan Press: 289-300.

Nancy, Jean Luc (2000). La comunidad inoperante. Santiago de Chile: LOM/Arcis.

Pampillo, Gloria et al. (2005). Una araña en el zapato. La narración. Teoría, lecturas, investigación y propuestas de escritura. Buenos Aires: Araucaria.

Phelan, Peggy (1993). The ontology of performance: representation without reproduction. En Unmarked: The politics of performance. London: Routledge: 146-166.

Peterson, E. y Langellier, K. (2006). The performance turn in narrative studies, Narrative Inquiry, (16(1): 173-180.

Rancière, Jacques (2004). Comments and responses, Theory & Event, 6(4).

Rappaport, J. (1993). Narrative studies, personal stories, and identity transformation in the mutual help context, The Journal of Applied Behavioral Science, 29(2): 239-256.

Riessman, Catherine (2002). Analysis of personal narratives. In J. Gubrium and J. Holstein (eds), Handbook of interviewing. Newbury Park, CA: Sage Publications: 695-710.

Rudrum, David (2005). From narrative representation to narrative use: towards the limits of definition, Narrative, 13(2): 195-204.

Sayre, Henry (1990). Performance. En Frank Lentricchia y Thomas McLaughlin, Critical terms for literary study. Chicago: University of Chicago Press: 90-102.

Shotter, John (2000). Wittgenstein and the everyday: From radical hiddenness to "nothing is hidden"; from representation to participation, Journal of Mundane Behavior.*
http://www.mundanebehavior.org/issues/v1n2/shotter.htm

Shotter, John (2005). The role of 'withness'-thinking in 'going on' inside chiasmically-structured processes. Draft.
http://pubpages.unh.edu/~jds/Santorini.htm

Sturken, Marita (1998). The remembering of forgetting: Recovered memory and the question of experience, Social Text, 57: 103-125.

Sumic-Riha, J. (2004). Testimony and the real: Testimony between the impossibility and obligation, Parallax, 10(1): 17-29.

Taylor, S. (2006). Narrative as construction and discursive resource, Narrative Inquiry, 16(1): 94-102.*

Young, I. (1994). Gender as seriality: thinking about women as a social collective, Signs, 19: 713-738.

White, Hayden (2006). The ironic poetics of late Modernity. Interview.
http://www.historein.gr/vol2_interview.htm

Williams, (1996). Argument: Text and performance. En Michael Huxley and Noel Witts (eds.), The twentieth century performance reader. New York: Routledge 369-383.

Wittgenstein, Ludwig (1958). Philosophical investigations. New York: Macmillan.