The structure of origin stories


1. Introduction




1b. Mini-lecture

2. Readings
Hrdy, S. B. (1981). "An Initial Inequality". Pp. 20-23 in The Woman That Never Evolved. Cambridge, MA: Harvard University Press
Lewin, R. (1987). "The storytellers". Pp. 30-46 in Bones of contention: Controversies in the search for human origins. New York: Simon & Schuster
Martin, E. (1991). "The egg and the sperm: How science has constructed a romance based on stereotypical male-female roles." Signs 16(3): 485-501.
Full versions: See password-protected readings


3. Activity
Based on preparation above, pairwise discussion of Martin's interpretation and analysis of structure of Hrdy, followed by whole-class discussion.

(Time permitting) Given that sometimes we describe our lives in a linear narrative; sometimes we emphasize its multiple strands, contingency, etc., reflect on the different situations in which you use the different themes to organize your life descriptions.

4. Synthesis and extensions

Why do we tell stories?
How do stories get to be memorable and persuasive?
Why are origins important?
Is story-telling an acceptable part of science?

Structural themes in stories /narratives /historical accounts
Stories are more compelling if they adopt a familiar structure (see Landau's structuralist account) and if they resonate with other stories (the hermeneutic emphasis). Identifying the structural themes and noticing connections between parts highlights the causation implied and perhaps exposes weaknesses in the account. For example, Hrdy’s uses four dualities that at first seem to reinforce each other—large/small cell, egg/sperm, “female”/”male” unicell, female/male mammal—but then allow us to ask what is anything the relationship is say between a sperm and a male. After all, sperm can carry an X or a Y chromosome. To pursue critical thinking around structural themes, use the pairings to reflect on how the story could appear if the other theme in the pair had been emphasized.

  • Note: Stories may be only part of explanations or arguments, so, when trying to see which of the themes below inform or structure an account, concentrate on the historical part and its end-point—the outcome that the account is trying to make understandable. The rest of the author's exposition may provide evidence for, or render plausible, various elements of the story, but this is a secondary issue. Also, an account may work in more than one structural theme.

A. In each of the following the first theme is more common in biology and allied social thinking, while the second is an alternative that is more open and difficult to analyze:
1. linearity one person or entity is the central subject followed through the course of the story, inc. life course maturation;.
(A chain of if-then connections does not necessarily make a narrative linear because the story can be weaving together several different types of phenomena, i.e. not just following one entity.)

vs. multiple strands (in the one story -- multiple explanations of the same phenomenon don’t necessarily make an account non-linear.)
(Even if different phenomena enter the story without much background being given to them, consider what they entail. For example, in the speculative account of the origin of human intelligence the basic tendency of primates to be social was assumed in having the early humans stay and care for the premature babies, rather than leaving them to die. This then constitutes another strand woven into the story )

2. development - unfolding - essential trajectory everything, including the endpoint, is implied from the outset -- if you have an egg you'll eventually get an adult chicken -- if you have a society you'll inevitably have it modernize, democratize, etc. Of course, not everything fits, but the deviations are mere deviations from the ideal course.

vs. critical interventions along the way (by Gods, heroes, random mutations) move things along

3. progress everything is climbing ever higher, getting better, or the opposite, regress -- everything is getting worse, declining from the Golden Age of the past.

vs. simply change most of what happens doesn't contribute to the final outcome, e.g. Ediacaran fauna & Burgess shale do not contribute genealogically to present taxa

4. directional, even determined very few steps from start to outcome, or very few opportunities for anything different to have happened. Includes Whig history (= the past is presented so that the present is made to seem a necessary consequence of it ) -- it's hard to see any other directions things could have gone (side-branches, failures, etc.)

vs. contingent and thus winding, branching path -- lots of places for things to have gone another way - dicey connections between events and “quirky changes” (the path to the end-point is windy, not direct)

5. adapted, fit to situation current function seems so good, even optimal or perfect, that the story doesn't have to fill in much history of how it came to be

vs. constructed many strands come together or coalesce to produce an outcome, which is thus open to change at many points in the process. “Characters = genes plus environment” is a very weak form of construction, especially if the central thread of the story is genetic, leaving the environment just a modifier of the result.

6. gradual & continuous steady accumulation:"evolution not revolution"

vs. episodic, even catastrophic bursts of activity or happenings, e.g. Cambrian radiation, post-Mesozoic radiations of birds and mammals

7. naturalism human social behavior and arrangements are natural, i.e. do not need specifically social explanation

vs. humanism explain humans in specifically human terms (see also B8 below).

8. dualisms categories come in pairs (e.g., homosexual/heterosexual; male/female)

vs. multiplicities divisions into two types obscures a lot of diversity (e.g., variants of sexual preference)


B. In each of the following the themes are equally common and often co-exist in tension within the one account (we’ll say more about these themes in later classes):

1. uniformityinsist on invoking the same causes then (in the past) as you see now

vs. historically located unique causes, or causes that need reference to the particular situation and timing, i.e., events wouldn't be true in all times or places

2. balance of nature(see also adapted, stability)

vs. struggle for existence necessarily involving sub-optimality and imperfection (at least transiently)

3. fixed, stable places, niches

vs. scramble for a place

4. stable equilibrium

vs. change

5. biological causes of changing conditions of life

vs. physical/ climatic determination

6. Nature integrated, like an organism

vs. aggregate of individuals

7. Nature passive

vs. active, creative

8. anthropomorphism depicting non-humans (living or non-living) in terms of human motivations, emotions, social arrangements, etc.

vs. naturalism human social behavior and arrangements follow the same rules as the rest of nature.
(These themes can reinforce each other if the idea of what’s natural is anthropomorphized.)

9. Parallels and borrowing (e.g., Hrdy’s small/large cell = sperm/egg = male/female mammals)
vs. Unique and singular (e.g., explaining differentiation of cell size in ancient unicells, anisogamy in germ cells, and size-activity differentials in mammals each by different means)

An invented account of the origin of human intelligence that employs non-standard structuring themes.
As a preliminary, keep in mind that in placental mammals most neural connections are made before birth.


HumanEvolution.jpg

S. B. Hrdy
Origin of size difference

Chance size difference in single cell gametes
-> 2 types

......................Large
...
...Small
.........Competition
........for resources
...........Competition
...........for access
...
Even larger
...................Smaller & maneuverable

= ground rules for males & females*

"Hardier"......................................
"con-artist"
"preying"
"taking hostage"

Fusion -> sexual recombination -> Hedge against fluctuations


An activity: Refer to the structural themes above to analyze E.O. Wilson's (1980, 279) story about the evolution of human homosexuality, which is preceded and followed by other points relevant to his account, http://bit.ly/XHsxgi (starting end of first column).

I. Bias has a range of associations
Let us distinguish bias and Bias
bias
1. X's bias leads them to accept assumptions and propositions without examining alternatives.
2. The assumptions and propositions are one set of elements in the construction of scientific knowledge from many elements building upon each other. That is, all work is biased. (Image: biased bowls)
vs. Experimental tests and peer review eliminate bias in science. (This view assumes, incorrectly, that all alternatives are raised and considered in normal science.)
3. 1=> Use the assertion that X is biased to counterpose alternative, and ask what difference it makes in examples cited, observations made, arguments addressed and conclusions reached. That is, bias, provides an entry point for further investigation.
4. 2=> We should not expect bias to determine the outcome.
5. 2=> Changing biased work will require changing many interconnected elements.
vs. Bias
6. Bias = accusation that X's bias is determining, that changing it would make all the difference, because everything is built upon that.
7. Accusations of Bias arise in two ways:
  • a) Status quo-ers have the power to discount their own biases—they are normal—while others who question and advocate specific change are Biased -- they deviate from the normal;
  • b) Critics of the status quo attempt to reconstruct all the interconnected elements (see 5)—to grab attention, gain new audiences, develop constituency with shared assumptions upon which further work can build, etc.
8. 7b-ers run the risk of provoking a response from 7a-ers and of selectivity, which makes them vulnerable to 7a-ers.

Which biases should we identify and work through?
  • Start with pervasive biases, e.g., gender (whether or not you see pervasive gender Bias).
  • Use theme 3 above.
  • Correctives, e.g., eliminating masculine generics from language.

5. Connections and resources
5b. Add to this blog post to make contributions to the revision of the chapter above or to an annotated collection of readings and other resources related to the chapter.
5c. Adaptation of themes from the chapter to students' own projects of engaging others in learning or critical thinking about biology in its social context. Suggestions:
i. Identify the leading or dominant explanation or account of some issue that is important in the area of your project. Identify the structural themes used. Invent an alternative account that emphasizes the alternatives to the structural themes. e.g., emphasizing the key role of contingency instead of a directional account.
ii. Same as i, but instead of inventing the alternative, look for one already published or promoted by someone in the area.
iii. Brainstorm with instructor