_______________________BOOKS RECEIVED______________________NewEngland, 1/1986 ____________________BOOKS RECEIVED____________________

 

 

By Geoffrey Elan

How to Write a Dull Town History

 

 

 

 

proportion.

     Another example of the reverent reporting of trivia comes from The Book of

Heath (Paideia Publishers. P.O. Box 343. Ashfield. MA 01330): "September 14, 1885: Due to the increased price of the rental of telephones, Preston Bakes, the Misses Maxwell and George Bemis had theirs taken out"

     Sandwich: A Cape Cod Town ($21.50,

145 Main Street, Sandwich, MA 02563) is

572 pages long, counting index, bibliogra-phy, genealogical charts, lists of subscrib-ers, and other shilly-shallying. The author,

R.A. Lovell, Jr., writes with the gravity and individuality of the classic town historians of the 19th century. I think he's done a splendid job, but he complains that he was forced to "prune greatly what we would wish to relate...." It is the duty of the historian to prune away the inessential facts and avoid what E. B. White called the mistaken notion that everything is impor-tant. To do so, however, would be to vio-late Rule #3...

3. Don't offend anyone. A section of

Durham, New Hampshire: A History

1900-1985 ($25, Phoenix Publishing. Ca-naan, NH 03741) begins with the words, "With no intention of slighting anyone," then rattles off a lengthy list of persons who helped out the Town Recreation Commit-tee (See Rule 02). Such a list belongs in the Town Report, not in the town history

     A more common application of this rule is not to rock the boat by injecting elements of history that are at odds with the accepted local myths. This can take the form of selective amnesia, as in Fitz-william: The Profile of a New Hampshire Town, 1884-1984 ($16, Phoenix Publish-ing, Canaan, NH 03741), which lists all the sextons of the past century in a five-page chapter on cemeteries, but gives one line to a community of several hundred Italian stoneworkers and their families who worked in the quarries. On the other hand. Renee Garrelick, author of Concord in the Days of Strawberries and Streetcars ($17.50. Concord Historical Commission.

 

350th, Box 535. Concord. MA 01742). is to be commended for reporting the stoning  of Irish and Italian laborers in that town along with warm memories of wildflower decorated "school barges" and town baseball teams.

     Paul Maureau probably made no friends in Masardis, Maine, by writing with candor and sympathy in The Masardis Saga ($10.95, TBW Books. Day's Ferry Rd., Box 164. Woolwich. ME 04579) t  about the pleasures of visiting hunters, or  “sports" of the late 19lh and early 20th  centuries: "I have heard many tales of   women who made extra money on their '  backs, if they happened to be pretty and friendly. They would have been unmarried or widowed women. I suspect, when you remember that dollars were scarce in this part of the world, you can hardly blame them for making hay while the sun shone." But he made a town and a time come vividly, humanly alive.

     And that, I suppose, is what marks a              good town history for me. There is no story without conflict, the spark of life that leaps from the clash of flint and steel, old ways and new ideas, immigrant and Estab-lishment. The embodiment of this ap-proach to local history is Far Out the Coils ($15. The Tashmoo Press. RFD Box 590 Vineyard Haven. MA 02568) by Henry Beetle Hough, who died last June on his beloved Martha's Vineyard. The book is subtitled, -A personal view of life and cul-ture on Martha's Vineyard." and it man-ages to pack so much history, insight, hu-mor, indignation, and love into 128 pages that it fairly quivers in the hand.

     I think it was John D. Rockefeller who once listed three rules for getting rich. The first was to start work early in the morning. the second was to work late into the night, and the third was to find oil The lesson for town histories in Rockefeller's parable is ihat earnest efforts and good intentions are not enough. If you want a good town history, you have to find oil: a Henry Beetle Hough, a Paul Maureau a Gladys Hasty Carroll; a Spindletop lurking in the library.

     "WE HAVE ABOUT 7OO TOWN HISTORIES in our little Yankee Publishing Inc. library, and receive two or three new ones each month. I’m defining the term loosely here, to include histories of counties, regions, valleys, parts of towns, churches, neighborhoods; perhaps it would be better to call them local histories. They generally have three things in common: They are written by amateur historians, they do not achieve wide readership, and, alas, they are unreliable and stupefyingly dull.

     I intended to discuss how to write a good town history, with examples. The trouble is, there are not many examples, and they tend to defy classification; that is why they are good. The failures are all very much alike, and that is why they are bad. So. based on the principle that we lean more from our errors than from our triumphs, and on the fact that I have had more experience with the former than the latter, here are Elan's Infallible Instructions for Writing a Dull Town History.

     I. It should be written by a committee. That way more of the town will be involved in the project, and different viewpoints will be represented. This will result in renewed civic pride and a bland pudding of a book without a point of view. As the old joke says, an elephant is a horse put together by a committee.

     Committees have produced some great works. The King James Bible was written by a committee. It shows. See the "begats" in Genesis, and the endless itinerary of the Israelites in Numbers, both faithfully reproduced in most town histories. It might be argued that the purpose of a town history is to tell who begat whom and where they traveled and lived in their lifetimes. My response is that those are records, not history, and there is a difference between the archivist and the historian. History is story, not facts. What we remember of history (including the Bible) is the story it tells, not the lists of names and places. A committee, however, finds it easier to pile up facts than to tell a story. This leads into the second rule, which is...

     2. Don't leave anything out. An extreme example of this is one history that begins in the Paleozoic Era, when "fishes swam where Chicopee and Holyoke people now walk." Holyoke-Chicopee: A Perspective by Ella Merkel DiCarlo ($ 11.95, Main Poland Road. Conway, MA 01341) bubbles with personalities and appealing stories. But the extinction of the dinosaurs in the Connecticut Valley, the plagues that swept the area clean of Indians, and the color of the wig wore by the proprietress of a no-torious house of ill fame all get equal billing. There may be perspective, but there is