Lectures
Selected
Listing
World Association of
Bands and Wind Ensembles (WASBE):
Jonkopping,
Sweden, July, 2003: “Wind
Ensemble Works Programmed by the Chicago
Symphony Orchestra, 1891-1999”
Lucerne, Switzerland,
July, 2001: “The Compositional Process: A New Documentation for Gustav Holst’s Second
Suite in F”
Schladming, Austria,
1997: “Gustav Holst’s Optional Wind and
Percussion Instrumentation”
Valencia,
Spain,
1993: “Gustav Holst: Sketches for Two Suites”
International Society
for the Promotion and Investigation of Wind Music (IGEB):
Oberwoelt, Austria,
July, 2004: “The Braunschweiger Scores: Weingartner, Leinsdorf, and Beethoven’s
Eroica Winds”
Lana, Italy,
2002: “Early Performances of Holst, Vaughan Williams, and Jacob at Kneller
Hall”
Bad Waltersdorf, Austria,
2000: “Imogen Holst: The Unfortunate Traveller”
Banska Bystrica, Slovakia,
1998: “The Kneller Hall Archives II: The Eckersberg and Sommer Collections”
Mainz, Germany,
1996: “The Kneller Hall Archives”
Abony, Hungary,
1994: “Was This Holst’s First Band Work?”
Feldkirch,
Austria, 1992: “Pittsburgh Composers”
Toblach,
Italy, 1990: “Early
Recordings of the Holst and Vaughan
Williams Military Band Suites”
Pinkafeld, Austria,
1988: “The Hammersmith Sketches”
British Association
of Symphonic Bands and Ensembles, 1998: “Gustav Holst’s Country Song”
Conductor’s Guild
Conference New Music Project Presentations:
New York, NY,
January, 2003: “Jeffery Jacob’s In Memoriam: Concerto for Two Pianos”
Washington DC,
January, 1998: “David
Patterson’s Hermit’s Blue”
Holst Wind Symposium,
University of Connecticut, 1995.
Massachusetts Music
Educators Association, Danvers,
MA, 1994: “Holst’s Sketches”
Eastman Wind Ensemble
40th Anniversary Celebration, Eastman School
of Music, Rochester,
NY, 1992: “The Somerville Era”
The Art of Conducting, Duquesne
University, Pittsburgh, PA:
June, 1991: “Early Recordings”
June, 1990: “Optional Instruments”
College Band
Directors National Association Conferences:
Kansas City, MO,
1991: “Holst’s Jazz Band Piece”
Austin, TX,
1989: “Gustav Holst’s Hammersmith: The Creation of a Masterpiece”
Institute for Gounod
Studies, Pittsburgh, PA, 1990: “Problems in Gustav Wettge’s
setting of Gounod’s Grande Fantaisie
Sur La Nonne Sanglante
Pennsylvania Music Educators, District 1,
1989: “Origins of the Holst Second Suite in F”