Rules for Reading Tristram Shandy

 

1.             Zen Reading.  Read slowly.  Allow the rhythm of the text to establish the speed at which you will read it.  Think of yourself as following and perceiving the unfolding of Tristram's thoughts or speech.

 

2.             Participate in the conversation.  Make inferences about the direction of the text and check them against what Tristram tells you (for example, that his mother was not a Catholic).

 

3.             Association is transition and establishes the subject.  Pay attention not only to digressions (sometimes quite long) but also to the material from which Tristram is digressing.  Digression is never disorder in Tristram Shandy.

 

4.             The text often jumps from Tristram's past to his present.  Make sure you jump with it.

 

5.             The problem, as Tristram so often tells us, is words.  Pay attention to words and to the special meanings they accumulate (e.g., hobbyhorses).

 

6.             Treasure the typography.  If the meaning of words is unstable, what is the meaning of typography?

 

7.             Tristram's sentences, like his novel, are long and meandering.  Nonetheless, pay attention to the grammar (as long as there is grammar to which you can pay attention).

 

8.             If any passage seems dirty, you should assume that you are intended to read it that way, although Tristram will usually tell you that you are not.  (One of the delights of rereading the novel is to discover new possibilities for smutty readings.)

 

9.             We are prepared to laugh at novels, and Tristram Shandy is perhaps the funniest.  But Tristram also expects us to cry.  When?  And why?  What is the relation of laughing to crying?  Can you do both at the same time?

 

10.           Tristram Shandy rivals Tom Jones as a learned novel.  Read the notes, but only after you have read the chapter.  (Do not let the notes break the rhythm of your reading.  Remember Rule 1.)

 

11.           Look for echoes of your relation to the narrator in the efforts of the characters to send and receive signals of meaning.

 

12.           If you cannot figure out what is going on, read two more chapters and see if it becomes clear.  If it does not, turn two chapters before the point where you became perplexed and read more slowly.  It should now be clear.

 

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